Current Occupation and Country of Residence:
Greeter and Performer at HK Disneyland
Tell us your Faust Story!
I’ve been performing with Faust since I first joined when I was 5, and
performed in my first production of The Player’s Production
at The Faust
. Following this I performed in every Faust Festival
until 2014 when
I joined Stage Group. In addition to my festivals, I’ve been in Lord of the
Flies, Alice in Wonderland, The BFG, The Lion The Witch and The Wardrobe,
Romeo and Juliet, Waiting for Godot
and King Lear
What is your earliest memory of Faust?
Throughout rehearsals for The Players Production
a fellow group member
(I’m sorry I can’t remember you!) only referred to me as my character name –
Corey. During one of our performances I accidentally skipped a movement
in a dance, only to have him stop the show to explain “COREY!!! You
missed this bit” and demonstrate the move.
What is your favourite memory?
After two years of unsuccessful auditions, I can still remember sitting in my
room as my mum came in looking upset after a phone call, making me think
I hadn’t made it again. Little did I know she’d just got off the phone with Matthew
and told me I had got in. Turns out I’m not the only actor in my family.
“There’s never a Faust session where I leave and don’t feel like I have learnt something really valuable, either about theatre, friendship, or life in general.”
What was your biggest challenge in participating in drama workshops
For me it was as a younger member going into the first rehearsals for the
big shows, and seeing all the older members who had already made friends
and knew each other. But of course, after the initial nerves I made some
great friends and definitely grew together with them.
What did you gain from your experience at Faust as a student and / or
as a Leader?
A new family! Going through productions and workshops with people who
I’ve known for 10 years or 10 minutes, we always find a way to bond over
drama and I’ve made some lasting friendships. And of course I’ve been
able to develop my skills as an actor, learning all about Shakespeare and
Commedia Dell’Arte, and being pushed by all my leaders to challenge
myself in order to improve. There’s never a Faust session where I leave
and don’t feel like I have learnt something really valuable, either about
theatre, friendship, or life in general.
How did studying Drama and Theatre impact your life?
I hope a bullet point list here is okay, there’s way too much to say!
- Learning to cope with rejections. Dealing with a failed audition takes
away the pain of rejection in my opinion, so being rejected from jobs or
relationships has less of a sting.
- Being more comfortable in myself. I know it sounds weird that pretending to
be other people can make you more confident in yourself, but it really does!
- Time management skills. Especially in the past two years trying to juggle
rehearsals for two shows (sometimes over 12 hours a week!) with the IB
diploma, and trying to find time to take a break really tests how well you’re
able to manage your own time.
- The ability to speak. Not only public speaking to large crowds, doing
drama has really helped me in being confident talking to people I wouldn’t
otherwise have been confident speaking to.
- An appreciation for ladies. I never
thought doing your own make up was
difficult, until I was handed an eyeliner
pencil and mascara backstage and told
to make it work. Hats off to everyone
who does that every day!
Doing Faust for the past 13 years really let me realize my love for theatre,
and has let me branch out into working with different companies across
Hong Kong, both amateur and professional. I think if I had never have
attended Faust I would be off to university taking a geography degree, and
not pursuing my love of performing.
What was the most valuable piece of advice you got from a director /
leader at Faust?
There is no such thing as a small part, only a small actor.
Being ‘small parts’ in all but two of my Faust shows (Jekyll and Hyde
Jekyll, and King Lear
as King Lear) I always have this in the back of my
head, remembering that it isn’t the number of lines you have, or how much
time you spend on stage that matters. What’s really important is committing
110% to your scenes (even if you only have 2 lines) and performing them
perfectly so that you’re what the audience goes home remembering!
How would you describe Faust to someone new to drama and theatre?
A huge family of people who aren’t afraid of what anyone thinks of them,
where every week you get to forget about everything going on outside the
studio and can come together to create!